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A Film About Skin (Part 1) – Paul Craddock
Part 1 of A Film About Skin by Paul Craddock. In this film, Professor Steven Connor thinks about the different ways we experience our own skins
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Out of the Archive: Artists, Images and History 18-19/11/11
Patrik Sjöberg: An Exploded View of History Focusing around certain key features found in the construction of the historical compilation film; challenge how preconceived notions of a totality of a historical event is constructed, fictive or not, and the role played by camera produced images in this process. Welcome by Nora Razian, Introduction by Francis Gooding Patrik Sjöberg, PhD, is Assistant Professor in Cinema Studies at Karlstad University. His research engages the shared conceptual territories between documentary film and avant-garde cultures. He has
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Late At Tate Britain: Has the film already started? (Perform:Discuss)
Late At Tate Britain: Has the film already started? Friday 7 October 2011 Expanding on the themes of the contemporary collection display Has The Film Already Started?, Late at Tate Britain presents an evening of performances, talks and screenings from artists Ed Atkins, Stuart Brisley, Bonnie Camplin, Marc Camille Chaimowicz and Cosey Fanni Tutti. Plus discussion about performance art with writer and curator Cecilia Wee
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Spaces of Memory RA Forum: Future Memory. Saturday 21 May; RA Schools
This Spring the Royal Academy Forum has examined the role of memory in various cultural practices, and explored how interventions in the present can alter, inform and distort memory in the future. In this, the third event in the series, we consider the relationship between space and memory through a variety of contributions from artists, architects and researchers. Iain Borden is Professor of Architecture and Urban Culture at the Bartlett. He is a historian and theorist of architecture and urban
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Histories of Hatred
It’s a profoundly uncomfortable theme, and one that is rarely discussed in academic circles: what is our responsibility as intellectuals when it comes to writing histories of hatred? How can we talk about hatred? Do we merely sanction and further discourses of violence by engaging with them? When is documentation participation? Should we be chroniclers, or should we get involved? Last summer the London Consortium convened a panel of academics, artists and critics to tackle these questions. Drawing on their
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On Silence
In the depths of a very snowy December, Tilda Swinton and a Consortium crew paid a visit to John Berger’s Alpine home in Quincy. They recorded two days of Swinton and Berger as these two old collaborators re-found their friendship. This material has now been edited by LCTV and will probably have two final forms: an artist’s film intended for galleries and museums and a cinema film aimed at festivals. The very first exercise, however, was for three teams of
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Hung in Time
In the depths of a very snowy December, Tilda Swinton and a Consortium crew paid a visit to John Berger’s Alpine home in Quincy. They recorded two days of Swinton and Berger as these two old collaborators re-found their friendship. This material has now been edited by LCTV and will probably have two final forms: an artist’s film intended for galleries and museums and a cinema film aimed at festivals. The very first exercise, however, was for three teams of
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There is something that we share
In the depths of a very snowy December, Tilda Swinton and a Consortium crew paid a visit to John Berger’s Alpine home in Quincy. They recorded two days of Swinton and Berger as these two old collaborators re-found their friendship. This material has now been edited by LCTV and will probably have two final forms: an artist’s film intended for galleries and museums and a cinema film aimed at festivals. The very first exercise, however, was for three teams of
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